Plaster
Animal Lesson Plan
Jenni Braeuner
1. Subject Area
Seventh Grade, Second Period,
Five 45-minute class periods
Lesson Two of Sculpture Unit
2. Unit Title
and Unit Goal(s)
Sculpture Unit
To create a mobile, foam sculpture
and animal sculpture.
To demonstrate knowledge of Alexander
Calder and his artwork.
To demonstrate knowledge of physical
and visual characteristics of sculpture.
To develop appreciation for artwork
in three-dimensional form.
Tennessee State Standards
1.1 Demonstrate the use of knowledge in select media, techniques and processes
by creating plaster animal sculptures.
2.1 Develop an awareness of the elements of design and the principles of composition through
their application by discussion, note-taking and making a plaster animal sculpture.
2.2 Create and evaluate art works that exhibit various sensory and expressive qualities with a lively plaster animal
sculpture.
2.4 Apply problem-solving skills that lead to solutions to specific visual art tasks like balancing the plaster animal
sculpture.
3. Instructional
Objectives
Seventh grade art students will
Examine example images of animal sculptures
in order to determine what poses create the most successful sense of balance and form, in addition to discussing the sense
of balance they have with their bodies.
Create an animal sculpture using plaster
strips, newspaper, tape and paint to demonstrate knowledge of form and balance.
4. Materials/Media
Newspaper, for both armature and table
covering
Masking Tape for armature
Pre-made Plaster Strips to cover armature
Bucket or bowl for water
Water in containers to use at tables
Tempera Paint to color plaster to look
like animal
Paint brushes to apply paint
Paper towels to clean up
Examples of student animal sculptures
Images of animal sculptures made by
artists
Books and visuals of a variety of animals
to assist students with ideas
Vocabulary Words for Lesson Two
Form: an enclosed three-dimensional
space
5. Instructional
Procedures
1. Set
The teacher will show past student examples of animal sculptures constructed from paper and plaster.
The teacher will discuss the concept
of form.
The teacher will discuss and demonstrate
techniques to construct armature of sculpture. Newspaper
can be rolled up and taped to create long, thin body parts such as legs, arms and tails.
Key Questions
What is form?
Think about the armature of your body. How is it made?
Compare and contrast balance in standing
sculptures to mobiles.
How will your animal be posed to make
sure it stands?
What did you learn about constructing
a mobile and demonstrating balance and movement that will help you to construct a standing sculpture of an animal?
2. Classroom Strategies-
Day One
Teacher
1. Sets up the
classroom for a demonstration of making a sculpture.
2. Displays past
student work in front of the room.
3. Asks: “How
is this sculpture balanced?”
4. Asks: “What
other interesting poses could you try?”
5. How is an animal’s
body different from yours?
6. How does that
affect how we move?
7. How does that
affect how they move?
8. Have you observed
how they move? Sit? Lay down?
9. Tells students
to try making poses like animals.
10. Discusses concept of form.
11. Demonstrates how to make armature.
12. Demonstrates how to apply plaster
strips.
13. Instructs class to create their
own animal sculptures by looking at books and images to make sketches.
14. Assigns table monitors to distribute
newspaper and masking tape.
15. Monitors class to be sure students
stay on task.
16. Works with students one-on-one if
needed.
17. Makes herself available for student
questions.
Student
1. Answers the
questions of the teacher that are posed.
2. Examines the
student examples and discusses its form.
3. Makes poses
like animals.
4. Gathers books
and images of animals from supply table.
5. Makes sketches
of animal sculpture.
6. Participates
in distribution if assigned.
7. Begins constructing
armature for animal sculpture.
8. Continues working
until class dismissal.
9. Cleans up.
Day Two
Teacher
1. Asks student’s
to retrieve armatures.
2. Assigns table
monitors to distribute newspaper and masking tape.
3. Monitors class
to be sure students stay on task.
4. Works with students
one-on-one if needed.
5. Makes herself
available for student questions.
Student
1. Gets sketches
and armatures.
2. Participates
in distribution if assigned.
3. If not assigned,
sits at table until newspaper and tape are distributed.
4. Continues constructing
armature.
5. Continues working
until class dismissal.
6. Cleans up.
Day
Three
Teacher
1. Reviews
concept of form.
2. Asks
student’s to retrieve armatures
3. Assigns
table monitors to distribute newspaper and tape.
4. Monitors
class to be sure students stay on task.
5. Makes
herself available for student questions.
6. Works
one on one as needed to assist with taping and plastering
Student
1.
Answers the questions of the teacher that are posed.
2.
Gets armatures
3.
Participates in distribution if assigned
4.
If not assigned, sits at table until newspaper and
tape are distributed.
5.
Continues to construct armature
6.
Covers armature in plaster strips if finished.
7.
Continues working until class dismissal.
8.
Cleans up.
Day
Four
Teacher
1.
Reviews how to cover armature in plaster.
2.
Asks student’s to retrieve armatures
3.
Assigns table monitors to distribute newspaper,
tape, water and plaster strips.
4.
Monitors class to be sure students stay on task.
5.
Makes herself available for student questions.
6.
Instructs students to place sculptures in designated
area to allow time for drying.
Student
1.
Gets armatures.
2.
Participates in distribution if assigned.
3.
If not assigned, sits at table until newspaper, tape,
water and plaster strips are distributed.
4.
Continues to construct armature.
5.
Covers armature in plaster strips.
6.
Places sculpture in designated area.
7.
Continues working until class dismissal.
8.
Cleans up space.
Day
Five
Teacher
1.
Verbally reviews how to paint on plaster.
2.
Asks student’s to retrieve sculptures.
3.
Assigns table monitors to distribute paint and
brushes.
4.
Monitors class to be sure students stay on task.
5.
Makes herself available for student questions.
Student
1.
Gets sculptures.
2.
Participates in distribution if assigned.
3.
If not assigned, sits at table until paint and
brushes are distributed.
4.
Paints sculpture with tempera paint.
5.
Cleans-up.
4. Practice and
Review
Students will use terminology learned in
previous classes, to incorporate into their work. The students will be able to apply the previous skills and techniques acquired
into this project.
5. Learner Involvement-
Students will be involved in the discussion
in class. The students will investigate the form and balance found in previous
student artwork. Students will explore and discuss the visual aspects of others’
work compared to their own animal sculptures.
6. Learning Environment-
Students
will sit in their assigned seats at their table. Each table has 3-4 students. The table leader will be responsible for getting
the tables supplies for the day. Each table will have newspaper, masking tape, plaster strips, water, paint and brushes. Table leader is responsible to get supplies as needed. Low talking is limited to others
at their table. The teacher is constantly going around the room, offering assistance to each group of tables. Students are
reminded to monitor their use of balance and form and how they are being applied to their animal sculpture.
7. Closure
The lesson will close with a review
of the vocabulary and techniques we have learned and applied in the artwork. The students will have an informal discussion
at the end the class with a review and summary of what we did and why we did it. The
students will compare their images to that of other students’ work to see if they may find similarities or contrasts. Each table manager will be responsible for taking materials back to supply table.
8. Alternative
and /or supplemental activities
Even though there are no students with
disabilities, some students may need help forming newspaper and taping, and/or applying plaster strips. English is a second language to a few students, so demonstrations and demonstrations will need greater
detail.
Individual needs will be met and addressed
as needed. Teacher will work one-on-one with these students to ensure learning
and understanding are happening.
Students will be working individually,
but at the same table with three other students, so peer learning will also be present.
More advanced students can make a more
complicated pose.
6. Evaluation
1. Informal:
Students will be informally assessed
by participation, oral questioning, effort and following directions.
2. Formal:
Students will be graded by a general
sculpture unit rubric based on how well they stay on task, follow directions and show craftsmanship and creativity.
3. Self-Reflection:
What did the students have trouble
with in this project? (Grasping certain concepts?
Motor functions in construction?) Were they successful in achieving balance? Did the students construct interesting compositions?
How many sculptures were balanced? What can I do to revise this lesson
in order to all of my students to succeed?
Ask students what their favorite part
of the assignment is.
What did they learn?
7. Re-teaching
A review will be given to any student
who was absent, or seem to be getting off task. Student feedback will be asked and taken into account when teaching the lesson
again.
The teacher may talk more in depth
about the concepts of engineering and foundations.